In addition to her iconic modeling career, Twiggy’s estimated net worth of $50 million in 2025 demonstrates her capacity to turn celebrity into a stable source of income. Instead of becoming a thing of the 1960s, she continued to be remarkably relevant to contemporary supermodels, demonstrating an extraordinarily adaptable capacity for cross-industry adaptation.
When she entered a London salon in 1966 at the age of 16, had her hair cut short, and became the face of a new cultural movement, her story began. She became known as “The Face of 1966” in a matter of months, and her image quickly expanded throughout the US, Japan, and Europe. She had appeared on the covers of Tatler and Vogue the following year, earning £80 an hour, which was a very high price at the time. The foundation for her current wealth was established by these early earnings.
| Detail | Information |
|---|---|
| Full Name | Dame Lesley Lawson (née Hornby) |
| Nickname | Twiggy |
| Date of Birth | September 19, 1949 |
| Birthplace | Neasden, London, England |
| Nationality | British |
| Height | 5’6” (168 cm) |
| Profession | Model, Actress, Singer, Television Personality |
| Career Start | 1966 |
| Breakthrough | Named “The Face of 1966” by the Daily Express |
| Major Works | The Boy Friend (1971), My One and Only (1983), Marks & Spencer campaigns (2000s) |
| Spouse(s) | Michael Witney (1977–1983, his death), Leigh Lawson (1988–present) |
| Children | One daughter, Carly |
| Net Worth (2025) | $50–51 million |
| Honors | Dame Commander of the Order of the British Empire (2019) |
Twiggy’s ability to transform personal qualities into marketable assets was brilliant. In addition to being physical characteristics, her slender figure, long lashes, and androgynous charm served as the model for a new fashion trend. She was especially creative in this regard, establishing a benchmark for celebrity branding that is remarkably similar to the way Bella Hadid and Kendall Jenner currently monetize their identities.
At the age of 20, she demonstrated extraordinary foresight by retiring from modeling in 1970. Twiggy turned with remarkable grace, even though many others may have faded. Her next step was acting, and she won two Golden Globes for her role in The Boy Friend (1971). Her success demonstrated beyond a shadow of a doubt that she was not only a fashion face but also a talented artist who could compete in both theater and cinema.
She solidified her reputation throughout the 1980s with Broadway’s My One and Only, for which she received a Tony nomination. After hosting Twiggy’s People, she ventured into television and later served as a judge on America’s Next Top Model. These endeavors effectively preserved her revenue while reintroducing her to younger audiences. Twiggy showed how icons can change venues while maintaining cultural currency, much like Tyra Banks used her status as a supermodel to advance her career on television.
Even though it was smaller in scope, her music career helped diversify her sources of income. Her reputation as a multi-talented performer was further cemented by albums such as Here I Go Again (1976) and Romantically Yours (2011), which also added royalties. Even though these endeavors didn’t greatly increase her income, they did significantly enhance her brand’s perceived adaptability and durability.
Her appearance as the face of Marks & Spencer’s advertising campaigns in the 2000s marked a sea change. These commercials struck a chord with people of all ages and are credited with turning around the retailer’s business and reminding people of Twiggy’s timeless appeal. Such endorsement agreements were extremely successful in terms of money and culture, demonstrating Twiggy’s continued marketability decades after her first modeling gig.
Twiggy in Black and White (1998), her autobiography, gave her narrative control and, more significantly, brought in another source of income. One particularly creative way she monetized fame was by making her story into a product. Ben Elton’s Twiggy The Musical, which was released in 2025, further solidified her reputation, much like Elton John’s Rocketman did for his company. Her legacy will be directly translated into profit thanks to these cultural products, which are incredibly dependable sources of income.
Twiggy’s stability was crucial on a personal level. She married actor Leigh Lawson, who adopted her daughter Carly, following the premature death of her first husband, Michael Witney. She was protected from the financial instability that frequently befalls celebrities by their stable family life. Her status was further enhanced in 2019 when she was named a Dame, joining Judi Dench and Helen Mirren as British cultural icons.
Twiggy’s net worth might seem low in comparison to today’s supermodels. Her wealth is dwarfed by Heidi Klum’s $160 million or Gisele Bündchen’s $400 million. However, because Twiggy was founded during a time when modeling fees were much lower, its wealth is remarkably resilient. As a case study in longevity, her ability to preserve and grow her assets to $50 million shows a level of financial savvy that is especially advantageous.
Twiggy’s image in society is still complex. She has been criticized for her extremely thin appearance and charged with encouraging irrational expectations, but she has frequently explained that her body was naturally slender. She acknowledges the complexity of contemporary beauty standards and speaks empathetically about body diversity today. Her experience serves as a reminder of how cultural icons can change over time and use their position to impact discussions that go beyond glitz.
Twiggy still welcomes innovation. A remarkable illustration of how legacy can be reimagined for digital audiences is her 2025 documentary project with Sadie Frost, which recreates Carnaby Street with the aid of immersive technology. In the same way that Beyoncé changed performance formats or Taylor Swift redefined music ownership, her brand will be preserved for future generations thanks to her forward-thinking embrace of contemporary storytelling.
