Meagan Good’s career is an example of timing, consistency, and subtly reinventing oneself. Her projected net worth, which is expected to be between $15 and $20 million in 2025, is a reflection of years spent deliberately fostering artistic credibility, business savvy, and cultural relevance rather than the product of unexpected virality or scandal-driven fame. From a child prodigy to one of the most discreetly esteemed women in the entertainment business, she has skillfully navigated roles, relationships, and reinvention.
Born and raised in Panorama City, California, Good began her career at the astonishingly young age of four under the tutelage of a father who was an LAPD officer and a mother who also served as her talent manager. A young Black girl navigating the intricate levels of American entertainment had an especially solid foundation thanks to her ambitious yet grounded upbringing. She established herself as a face to watch in a market that frequently typecasts young talent into narrow lanes after landing roles in television series like Doogie Howser, M.D. and her film debut in Friday by the age of thirteen.
Meagan Good – Personal and Professional Bio Table
Field | Information |
---|---|
Full Name | Meagan Monique Good |
Date of Birth | August 8, 1981 |
Birthplace | Panorama City, California, U.S. |
Height | 5 ft 5 in (1.65 m) |
Occupation | Actress, Model, Producer, Director, Author |
Active Years | 1991 – Present |
Notable Works | Eve’s Bayou, Think Like a Man, Shazam!, Harlem |
Production Company | Freedom Bridge Entertainment |
Marital Status | Married to Jonathan Majors (2025); formerly DeVon Franklin |
Siblings | La’Myia Good (sister) |
Net Worth (2025) | Estimated between $15 – $20 million |
Real Estate Holdings | Hollywood Hills home worth $2.8 million |
She received critical acclaim and an early NAACP nomination for her hauntingly memorable performance in Eve’s Bayou (1997), which marked her breakthrough. Not only did this performance demonstrate her range of emotions, but it also suggested a depth that many of her contemporaries found difficult to develop. Good made conscious decisions that greatly decreased the chance of typecasting, whereas other child stars faded away or grew irrelevant as they grew older.
She started playing more mature roles with remarkable poise in the early 2000s. She was able to anchor mainstream projects with roles that capitalized on romantic and action archetypes in movies like Deliver Us From Eva and Biker Boyz. In keeping with a larger trend in the industry where Black-led films achieved commercial success despite frequently low budgets, she simultaneously landed roles in ensemble comedies such as You Got Served and The Cookout.
With Think Like a Man, the movie adaptation of Steve Harvey’s best-selling book, Meagan Good achieved a new high by 2012. With a nearly $100 million box office haul, the film was a commercial success and solidified Good’s status as a romantic lead. Her ability to retain both mass appeal and critical relevance made this era especially advantageous for her brand. Good’s roles remained fluid—at times dramatic, frequently humorous, and always layered with relatability—while other celebrities battled with being boxed in.
Her transition to television further cemented her reputation. She reminded audiences and casting directors that her range had not only grown but also matured with Deception, Minority Report, and the Prime Video series Harlem. She admitted to crying for thirty minutes in her car after being offered the lead in Deception in an especially candid interview, demonstrating the emotional commitment she makes to her work.
Good, who co-wrote The Wait with then-husband DeVon Franklin, was a driven professional with a strong spiritual foundation. Her portfolio was further diversified by the best-selling book, which promoted celibacy prior to marriage. She transformed herself from an actress to a thought leader by writing and promoting the book on various media platforms, a move that surprisingly worked to increase her influence.
Additionally, she is one of the co-founders of Freedom Bridge Entertainment, a production company that specializes in socially conscious narrative. Following in the footsteps of creatives like Ava DuVernay and Kerry Washington, who have stepped behind the camera to control the narratives they tell, this move reflected a larger shift among women in the entertainment industry. By doing this, Good has taken control of her narratives and her income, demonstrating a particularly creative approach to intellectual property management.
Real estate is another aspect of her career’s financial trajectory. She made the opulent and calculated choice to buy a $2.8 million house in Hollywood Hills in 2022. Entertainers continue to favor real estate as an investment option, and Good’s decision is indicative of a trend in which astute celebrities choose assets that provide both long-term value and lifestyle.
Her marriage to actor Jonathan Majors has sparked interest in more recent times. Not only because of how quickly their union developed, but also because of unsubstantiated rumors that she assisted Majors in covering some of his legal debts and dog training costs. Some viewed it as a continuation of her generosity and loyalty, while tabloids presented it as controversial. Good has long backed her partners, frequently combining personal loyalty with professional discretion, as industry watchers quickly noted.
Importantly, Meagan Good continues to support artistic genuineness. Particularly the revealing blue dress she wore to present a gospel award at the 2013 BET Awards is one of her fashion choices that has generated discussion. She defended the style as a representation of embracing feminine confidence, saying that spirituality and sex appeal don’t have to conflict. A generation of young women struggling with identity, public perception, and agency are still influenced by her bold yet balanced viewpoint.
She most recently starred in Shazam! Fury of the Gods, in which she reprised her superhero role, and Tyler Perry’s Divorce in the Black (2024). In addition, she and Taye Diggs co-produced a Lifetime original movie, demonstrating her growing prominence behind the camera. Together, these endeavors highlight the fact that she is actively redefining what longevity means for a Black actress in her forties, rather than just trying to maintain visibility.
While many in Hollywood depend on viral campaigns or branding agencies to remain relevant, Good’s strategy is incredibly dependable and remarkably long-lasting. She works, she changes, and she avoids distractions caused by fray. Good seems to be creating something slower, but much more powerful, while other actors change their focus or strive for instant fame.
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